Lucretius said that image-sequences emanated from the object. Sidney said that art made forms such as never were in nature. Our conductor said the signal had "fallen out of correspondence."

In the tradition of Menken, Gehr, and Lurf—as well as the earliest cinematic experiments—the “mechanical locomotion” series attempts to find the intersection of actual and virtual motion, and explore the places of their tension. Such places are real places.